Filmkommentaren

Sarajevo FF: Documentary Winners

Written 17-08-2018 08:42:25 by Tue Steen Mller

Sarajevo FF: Documentary Winners

Happy to say that I agree with the competent decisions made by this jury: Leena Pasanen (Festival Director of DOK Leipzig, Germany), Luciano Rigolini (Artist-photographer, producer, Switzerland), Marina Gumzi (Producer/ Scriptwriter, Slovenia). I give you the links for the reviews I made during the festival 

HEART OF SARAJEVO FOR BEST DOCUMENTARY FILM

SRBENKA

Director: Nebojša Slijepčević 

Croatia 

Financial award, in the amount of 3,000 €, sponsored by Government of Switzerland.

http://www.filmkommentaren.dk/blog/blogpost/4308/

SPECIAL JURY MENTION

NINE MONTH WAR/ KILENC HÓNAP HÁBORÚ

Director: László Csuja 

Hungary, Qatar

http://www.filmkommentaren.dk/blog/blogpost/4315/

HUMAN RIGHTS AWARD

ARAF (PHOTO)

Turkey, Greece, Bosnia and Herzegovina

Director: Didem Pekün 

Best film of the Competition Programme – Documentary Film dealing with the subject of human rights. Award in the amount of 3,000 €, sponsored by Government of Switzerland.

http://www.filmkommentaren.dk/blog/blogpost/4316/


Categories: Festival, Articles/Reviews ENGLISH

Sarajevo FF: DocuTalents from the East

Written 16-08-2018 22:48:30 by Tue Steen Mller

Sarajevo FF: DocuTalents from the East

Here comes a copy-paste of the press release from Jihlava FF. The presentation of the projects took place at the same conference room in Hotel Europe as the Rough Cut Boutique, this time, good for the presenters, they were in spotlight, it helped to create some passion from the very diverse group of people, who were selected by Marek Hovorka and his festival team. I was a member of the jury, so no personal comments would be fair. Here comes the text:

"Ten outstanding documentaries from Central and Eastern Europe, planned for theatrical release during the upcoming 12 months – the Docu Talents from the East –  were presented yesterday at the Sarajevo Film Festival.

Projects from Azerbaijan, Belarus, Czech Republic, Macedonia, Poland, Romania, Serbia and Ukraine made it to the final selection of Docu Talents from the East 2018.

The Docu Talent Award was newly granted to the most promising projects. The international jury selected two winners: An absurd tragicomical Ukrainian-Belarussian documentary placed in today’s Crimea My Granny from Mars directed by Alexandar Mihalkovich and produced by Volia Chajkouskaya, and an intimate artistic documentary film Birthday directed and produced by Hilal Baydarov from Azerbaijan. The awards are accompanied with financial prize 2,500 USD for each project, in cooperation with the festival’s partner Current Time TV.

The jury gave the following statements:

“For a choice of charismatic protagonists, treated in a highly cinematic way, and for the sense of absurdity in a difficult and unstable environment.”
 

(My Granny from Mars)

 (PHOTO)

“To a new voice that reveals a pure sense of time, by capturing the universal nature of reality.”

(Birthday)

http://www.dokument-festival.com/industry/docu-talents/2018


Categories: Festival, Articles/Reviews ENGLISH

Sarajevo FF: Rough Cut Boutique Awards

Written 16-08-2018 22:07:31 by Tue Steen Mller

Sarajevo FF: Rough Cut Boutique Awards

Yesterday morning the Rough Cut Boutique presented the five projects that under the leadership of Rada Sesic and Martichka Bozhilova were developed with the tutorial help of people like editor Tom Ernst, producer Stefano Tealdi, commissioning editor Hanka Kastelicova, Katrine Kilgaard from CPH:DOX, Aleksandra Derewienko from Cat&Docs in Paris, Jenny Westergaard from YLE Finland and others.

The presentation took place at a conference room of Hotel Europe, not the best place as the presenters were standing in almost total darkness, no spotlight on them, which made the atmosphere a bit sleepy. The verbal presentation (I was told that they were trained in pitching, sorry could not see that) was followed by clips/scenes from the rough cuts. Have to confess that it is difficult to get a true impression of a film from the visual material.

There were awards for the best projects. They went like this:

- 20.000 EUR postproduction award by Digital Cube Romania: DAUGHTER OF CAMORRA, Siniša Gačić

- IDFA Award – the winner will be fully invited to IDFA 2018: DIARY OF A SERIOUS OFFENDER, Danilo Ceković

- HBO Europe Award – 2000 EUR: DAUGHTER OF CAMORRA, Siniša Gačić

- CAT&Docs Award  - 2000 EUR: THE MAGIC LIFE OF V, Tonislav Hristov

- DOK Preview at DOK Leipzig 2018 and visit to the Festival and presentation: ONE OF US, Đuro Gavran

There was a big quality difference among the five with the Finnish/Bulgarian collaboration (Kaarle Aho and Tonislav Hristov) on a high professional level (superb camera work), whereas the others were beginners or less experienced.

Luckily there was a guest project that I knew about from way back, a film – again - dealing with the past, “Aktion DB” (PHOTO); Dana Budisavljevic is the director who pitched together with producer Miljenka Cogelja. An extraordinary story about an extraordinary woman Diana Budisavljevic, who during WW2 helped children and women out of the concentration camps set up by the Germans and their Croatian partners, the Ustashas. It’s 10000 children and the film is a docufiction using an actress to play DB, sequences with survivors who go the places, where the camps were and shocking archive material from the camps. The director has – from the scenes I saw – found her form, she has made her aesthetic choice, b/w and colour mixed, the b/w maybe tinted a bit, it looked impressive.

https://www.google.com/search?q=Hulahop+films&ie=utf-8&oe=utf-8&client=firefox-b


Categories: Festival, Articles/Reviews ENGLISH

Sarajevo FF: The Story of Amir

Written 16-08-2018 15:25:22 by Tue Steen Mller

Sarajevo FF: The Story of Amir

There he was on screen and in persona among the audience, 22 year old Amir Śeśic, whose story was presented by Mirna Buljugic from BIRN, that stands for Balkan Investigative Reporting Network. And what a story: Amir has never seen his father, who was one of the victims of the Srebrenica massacre in 1995. When he was 3 months old, his mother left him, he grew up in an orphanage, was with a new family, fought to understand what a mother could be, does not want to have anything to do with his own mother AND has written a book.

It took me 2 years to write it, he said, the young energetic man, who is now going around launching the book, that many at the presentation done by Mirna Buljugic told him to make in an English version as well. Buljugic told us that the book is a very emotional experience, describing also what the stay in the orphanage meant for Amir, who regularly visits his father’s grave in Srebrenica.

http://birn.eu.com/network/birn-bosnia-and-herzegovina/


Categories: Festival, Articles/Reviews ENGLISH

Sarajevo FF: Dealing With the Past Stories

Written 16-08-2018 11:05:37 by Tue Steen Mller

Sarajevo FF: Dealing With the Past Stories

Back in Copenhagen. Thinking of the many documentary adventures I take with me from the Sarajevo Film Festival. To be part of the training team of representatives from ngo’s and human rights organizations was the experience for me. Engaged, committed people who every day deal with human beings who suffer from the consequences of the wars in the 1990’es – and try to help them. Respect!

In an article by Vladan Petkovic for Screen Daily, link below, the stories delivered to a full hall Monday afternoon at the Hotel Europe are described. Read that and let me introduce the panel on the photo:

From right colleague tutor and here moderator Robert Zuber and on stage Goran Zoric, Edin Ramulic, Mediha Haskic who translated for Edin, Augustina Rahmanovic, Sabiha Husic and Mirna Buljugic.

https://www.screendaily.com/news/sarajevos-true-stories-market-opens-competition-for-producers/5131637.article


Categories: Festival, Articles/Reviews ENGLISH

Sarajevo FF: Talk With Mila Turajlic

Written 15-08-2018 08:41:45 by Tue Steen Mller

Sarajevo FF: Talk With Mila Turajlic

The theme was how to deal with archives in a creative way; it was a bit more than one hour skype conversation with Mila Turajlic talking to us from her home in Belgrade - the flat those of us, who have seen "The Other Side of Everything" know so well. Turajlic was excused not to be in Sarajevo, because of illness but as the fighter she is, she had prepared clips for the presentation and the conversation went very well giving the audience of primarily young people inspiration to their film work.

The first clip brought us back to the film Turajlic made in 2010, "Cinema Komunisto", the scene from the partisan feature film (Battle of Neretva, 1969) where Tito has given the order



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Categories: Festival, Articles/Reviews ENGLISH

Sarajevo FF: Talk With Sinisa juricic

Written 14-08-2018 11:12:12 by Tue Steen Mller

Sarajevo FF: Talk With Sinisa juricic

As part of the "Dealing With the Past" there was a talk with producer Siniša Juricic, who co-produced and was a character in "Chris, the Swiss", a film that was taken to the Cannes Film Festival, a film not loved by Croatian film and tv authorities, they don't like to see it as a film from Croatia, but not the only film that Juricic has made as a producer; he has not been able to get funding from the Croatian Audiovisual Fund for three years. He was service provider for the Danish production "15 Minutes. The Dvor Massacre" and for this he was "accused of being a traitor" and "blacklisted" at the Fund.

The talk had the long title "Working with films that tackle sensitive issuses from the past" and Juricic, well prepared, had brought along clips/trailers from his filmography: "Dead Man Walking", "Velvet Terrorists", the mentioned two films, "Houston, we have a Problem" as well as a clip from a new film about a cartoonist, who was killed by the partisans in Belgrade 1944. It looked very fascinating. Juricic, interviewed by Robert Zuber, said that he now "seriously considers to make comedies" - I don't believe him having seen his talent as a producer not only for the mentioned films but also for fine works as "Cash and Marry", one of my favourites from my time at the training programme Ex Oriente, and "Sofia's Last Ambulance" that is a small masterpiece. What comes out of a talk like this is sadness, well anger that the Croatian film and tv authorities are so scared of anything that is controversial and finds it necessary to blacklist a talent like Juricic. At the discussion after "Srbenka", the director Nebojša Slijepcevic was asked if the film would end up on Croatian television. With a smile, he said that this would not happen. Something is rotten, not only in the state of Denmark...  


Categories: Festival, Articles/Reviews ENGLISH

Sarajevo FF: Full House for Docs

Written 14-08-2018 10:08:15 by Tue Steen Mller

Sarajevo FF: Full House for Docs

 

Sarajevo hosts an amazing film festival. The variety of programs and projects is overwhelming. Films in many cinemas, discussions and presentations after the screenings, and in the Hotel Europe where workshops take place and the Atrium has full houses for presentations linked to industry matters.

I am happy to say that documentaries have a visible and important place in



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Categories: Festival, Articles/Reviews ENGLISH

Laila Pakalnina: Fishing in the River of Time

Written 11-08-2018 14:39:42 by Tue Steen Mller

Laila Pakalnina: Fishing in the River of Time

The Latvian filmmaker, who has made feature and documentary films, that have gone all over the world, who has made long and short films and who indeed has her own style, is quoted from a blog that advertises a workshop that she leads in Poland in October:

– Every film for me means risk. I am not craftsman; I am not delivering certain product. I am making film and that means breathtaking balancing between shit and art. I hope for art of course. And I admire this risk. As for me this is the only way how to make film… – I call my method of work “Fishing in the river of time”. As life is extremely talented, we just put camera, set composition and wait. And life happens. So film happens. Sometimes immediately, sometimes in hours and even days…

– I like to make films on simple subjects – delivery of the mail, bicycle road, just a bridge etc. In fact like in very beginning of film history brothers Lumiere did – Arrival of a Train at La Ciotat; Workers Leaving the Lumière Factory etc. Maybe it is because filming simple things or actions you always catch something more, something meaningful. As for example in the shot with postwoman there is something more than just postwoman, there is universe – because it is documentary, it is not created by me but by life. I am just fixing this universe from the certain angle in certain framing…

Film Spring Workshop will take place from the 17th – 26th of October in Krakow, Poland.

The still is from a film that Pakalnina is finishing right now, “Spoon”

https://filmspringopen.eu/en/laila-pakalnina-to-tutor-the-documentary-group-at-film-spring-workshop/

https://filmspringopen.eu/en/register/


Categories: Articles/Reviews ENGLISH

Nuri Bilge Ceylan: Turkey Cinemascope

Written 10-08-2018 21:21:19 by Tue Steen Mller

Nuri Bilge Ceylan: Turkey Cinemascope

This is a copy paste of a text from the website of the Sarajevo Film Festival to show you a photo taken by the wonderful Turkish director:

Turkish director Nuri Bilge Ceylan, one of today’s most acclaimed filmmakers, will receive the Honorary Heart of Sarajevo Award at the 24th Sarajevo Film Festival. Ceylan will receive the Award in recognition of outstanding contribution to the art of film and support of Sarajevo Film Festival. Ceylan is also the honorary guest of the 24th Sarajevo Film Festival's Tribute to programme.

The opening of the exibition Nuri Bilge Ceylan: Turkey Cinemascope will be held on Saturday, 11th August 2018 at noon, in Art Galerry of Bosnia and Herzegovina.

Ceylan’s photographs, just like his films, encourage the observer to think. They provide no obvious answers, but rather mere hints of emotion. The expressions on the faces of his subjects – both in film and in photography – are always ambivalent, reflecting the complexity of life and the human soul, and confirming Ceylan’s status as a talented narrator and a profoundly important and ethical artist.

https://www.sff.ba/en


Categories: Festival, Articles/Reviews ENGLISH

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