Filmkommentaren

Kirchhoff & Remunda: Steam on the River

Written 22-06-2019 14:01:12 by Tue Steen Mller

Kirchhoff & Remunda: Steam on the River

It was a very entertaining afternoon experience yesterday in Banská Stiavnica attending the screening of the 2015 documentary by Robert Kirchhoff and Filip Remunda (they call each other Robo and Filo!) followed by a masterclass with the two that gave us, the Ex Oriente audience, an insight to the making of the film. And you could sense, from the film and the class afterwards, that it had been quite as fun to make the film, as it was to watch it. Let me tell you what the film is about through the annotation from the distributor’s catalogue:

„The story of three extraordinary but aging jazzmen coming from former Czechoslovakia: Laco Deczi now lives in New York, Jan Jankeje in Stuttgart and Lubo Tamškovič used to live in Paris. Laco’s close friend Chris DePino, a musician as well as a politician close to George W. Bush, is attempting to put on a concert of the Czechoslovak Jazz Stars commemorating the anniversary of the fall of the Berlin Wall. Of course the concert may never be organized… A film about the transience of fame which is fleeting, just like the steam that silently appears and disappears over a flowing river.”

And yet this text is not covering what we saw. As Kirchhoff said the film is



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Carl Olsson: Patrimonium

Written 21-06-2019 10:01:45 by Allan Berg Nielsen

Carl Olsson: Patrimonium

Godsejerne – Den fædrene jord er filmens danske titel på tv-versionen som DR K sendte 19.juni. Jeg vil meget anbefale Carl Olssons på usædvanlige måder smukke film som stadigvæk kan ses i tv-versionen på

https://www.dr.dk/tv/se/godsejerne-den-faedrene-jord/den-frelste-jord-dfi/godsejerne-den-faedrene-jord

(direkte link til gratis streaming)

Det er en besynderlig dokumentarfilm, helt ude af tidens synk, smuk og egenartig og egensindig, en inderlig stemning af blid humor, der som noget karakteristisk for kulturen den skildrer uden at ryste på hånden overføres til filmværket og bliver til dets bærende følelse. Sikkert og uantastet: sådan er det – lidt morsomt, ikke sandt?


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Categories: Cinema, TV, Artikler/anmeldelser DANSK

Jan Gogola on Dusan Hanak

Written 21-06-2019 09:37:16 by Tue Steen Mller

Jan Gogola on Dusan Hanak

I am in Banská Stiavnica in Slovakia, where the first session of the Ex Oriente workshop takes place. I have been invited as a substitute for Iikka Vehkalahti and I am happy to attend at the workshop of which I was part from the beginning, was it in 2002?, until I stopped in 2009. 12 projects with director and producer present from the CEE countries take part, in a later post I will mention some of them.

Last night Jan Gogola, director/dramaturg/script writer/teacher, a clever man, who was also at Ex Oriente from the beginning, had been asked to talk about and show clips from films by the two legendary directors, Slovak Dusan Hanak and Czech Karel Vachek. A very fine session that took place in the Cinema Akademik here in the Kulturstadt Banská Stiavnica. He showed fragments from ”Pictures of the Old World” from 1972 by Dusan Hanak, a film that I have adored and used several times at different schools. And from Vachek’s ”Moravian Hellas” from 1963.

Gogola thought that Hanak had chosen to make his film four years after 1968 to remind the audience of human values forgotten after the normalisation process started with the occupation of Czekoslovakia by the Warsaw pact countries. The fragments, around 20 minutes of the hour long documentary, reminded me of a tradition for philosophical reflections, old people and their faces, a man with a microphone asking ”what are the values of life”, it is sooo moving and so wonderfully filmed with close-ups and sometimes still photos. Gogola said that the film is not a document, it is a monument. Normalisation… meant that the film was ”kept out of public space for 20 years”.

Have to confess that I am not able to ”enter” Vachek’s films, there are too many references to history and culture of Czekoslovakia. Sorry.

After the presentation I talked football with Gogola, he is a connaisseur, we talked Nedved, Masopust, Hamsik, Peter Czech… and Panenka, who is the character of the great film Gogola has made.

www.dokweb.net


Categories: Articles/Reviews ENGLISH

Sidse Torstholm Larsen og Sturla Pilskog: Hbets

Written 20-06-2019 14:15:06 by Tue Steen Mller

Sidse Torstholm Larsen og Sturla Pilskog: Hbets

På Grønlands Nationaldag på fredag den 21. juni fylder Grønlands Selvstyre 10 år. I den anledning sender DR2 dokumentarfilmen Håbets Ø - en film af Sidse Torstholm Larsen og Sturla Pilskog, som allerede nu kan streames på DR TV.

Her gentager vi Allan Bergs anmeldelse af film:

En ung kvinde får ordet, forstår jeg, i en samtalekreds for alkoholikere som ikke drikker. Hun er smuk, fotograferingen er smuk, det hun siger er smukt at lytte til, dette vidunderligt langsomme sprog, som i underteksterne burde være oversat omhyggeligt litterært filmen igennem (jeg så på Randers bibliotek en engelsk version med undertekster, som gjorde mig skeptisk), men scenen er smuk, Henrik Bohn Ipsen har fotograferet, og jeg kan ikke rose ham nok, alene i sin cinematografi har han lagt grunden til endnu en klassisk bysymfoni. Her om Maniitsoq i Grønland. Med fotografiet til denne film og tidligere kameraarbejde som til Inuk Silis Høeghs Sume, 2014 og Lene Stæhrs Eskimo Diva, 2015 uddyber Bohn Ipsen det dokumentarisk filmfotografiske og danske blik på det almindelige liv i Grønland i linje efter fotograferne Jette Bang, Jørgen Roos og Teit Jørgensen.

Kvinden i samtalekredsen er på vej ud af alkoholens lås og jeg følger hende



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Categories: TV, Artikler/anmeldelser DANSK

Orwa Nyrabia Talks about IDFA Changes

Written 20-06-2019 11:49:23 by Tue Steen Mller

Orwa Nyrabia Talks about IDFA Changes

Readers of filmkommentaren will know that I am very happy with Syrian Orwa Nyrabia being the artistic director of IDFA. Step by step he is changing the festiwal together with his competent Staff. This post aims at making you read the fine interview with Nyrabia, for cineuropa made by Vladan Petkovic. Here is a clip:

… The strong presence of films made by northern filmmakers about the rest of the world is not enough any more. This is interesting: it's not necessarily a bad thing, but being limited to it is certainly a relic of the past. We know today that we can't just be watching films about the Balkan war, about the Syrian war or about the Congo, without giving a serious platform and due respect to filmmakers from these societies who are telling us their stories in their own way. This way may not exactly be designed to triumph at box offices in the West, but they are there to add to our own cultural awareness and to the development of our understanding of the world, as well as to challenge our own prejudices. This is, to me, the core of this job and of documentary festivals in general, not only IDFA…

https://cineuropa.org/en/interview/373908/


Categories: Festival, Articles/Reviews ENGLISH

Jakob Brossmann & David Paede: Listen to the Radio

Written 16-06-2019 10:25:38 by Tue Steen Mller

Jakob Brossmann & David Paede: Listen to the Radio

With the Austrian title: «Gehört, Gesehen – Ein RadioFilm“...

5 years after maestro Nicolas Philibert made his „Maison de la Radio », here is another equally fascinating visit to a radio broadcasting channel: Ö1, part of the ORF in Austria, a Kulturradio, praised for its quality and suffering from budget cutbacks like similar radio stations in many countries. Contrary to the French documentary the two directors put the focus on how the staff, led by the boss of Ö1 Peter Klein, looks for solutions to keep the existing loyal listeners and find some new ones in times, where many politicians want to drop the license fee and want to have (indirect) influence on the program profile...



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Yuriy Shylov: Projectionist

Written 14-06-2019 21:13:37 by Tue Steen Mller

Yuriy Shylov: Projectionist

I have met Valentin, the projectionist, on screen, at several workshops and presentations, and I have seen how fragments, all these clips, of his life slowly have become a film that now – bravo – is to have its premiere in the competition at the festival in Karlovy Vary beginning of July. Ukrainian producer Gennady Kofman was so kind to send me a link so I could see the final result of a work on its way for some years.

Sometimes you get disappointed, when you see a final result, after numerous pitches and presentations. In this case no; On the contrary I enjoyed to see how the director has succeeded to let the viewer into the projection room of a cinema, a place that has been Valentin’s second home for more than 40 years. In his private home he takes care of the mother, who is in bed and close to the end of her life. As the cinema is also close to have THE END. A fire helped it go that way and now the cinema is hosting events, light shows and other modern activities. Seen from Valentin’s point of view. With the director’s fine sense of creating atmosphere.

Long live the art of cinematography he says to his friend and collaborator in the cinema, Volodymyr. With vodka in the glass and irony in the voice. You can’t help love Valentin for his appetite on life – more enigmatic is Volodymyr, the side character, who takes the last word and a little dancing step in the film, addressing the director/cameraman in a very moving way. I won´t say more, but what I can say is that Valentin survives an illness and enjoys the stay in the sanatorium at the sea, where he is recovering to end up good looking, dancing with the women.

There are many Valentins in the world. And Volodymyrs. Who live a life behind the scene with their passion for film and the place for films to be seen, the cinema. As Herz Frank says in the Baltic „Bridges of Time“, when they are no longer among us, they are still alive on film, like this one. That is luckily wonderfully unpretentious.

Ukraine, Poland, 2019, 72 mins.


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Kristof Bilsen: Mother

Written 08-06-2019 17:29:55 by Tue Steen Mller

Kristof Bilsen: Mother

”Me No Worry, Me No Care, Me Go Marry a Millionaire, If He Dies Me No Cry, Me Go Marry Another Guy”… are the words Pomm uses to wake up Elisabeth, who reacts with a smile. Pomm calls Elisabeth mother or granny, she is her caregiver in the centre in Thailand, where Western alzheimer patients stay and are given care by Thai women like Pomm.

Who is the central character of the film. And who has been given a camera by the director to make video diaries that are included in a film that deals with a theme of importance to all of us. Before the mentioned warm and touching scene, up front in the film, before the title credits, Pomm has filmed her house and the youngest of three children, Nadia, with words of sadness: I gave birth to three children but I can not take care of them. She has to earn money away from home to support them… Alas, the eternal story of rich and poor, the lack of equality in the world we live in.

Yes, Pomm, the young woman on the photo, is a MOTHER. The old woman



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Michal Bielawski: The Wind. A Documentary Thriller

Written 04-06-2019 20:25:26 by Tue Steen Mller

Michal Bielawski: The Wind. A Documentary Thriller

The Halny? Shocking film! Says someone coming from a flat country after having watched a film about the power of the wind in a mountain area.

I had never heard about the halny before so I made a visit to Wikipedia and got this answer:

Halny is a warm windstorm that blows through the valleys. It is often disastrous; ripping off roofs, causing avalanches and, according to some people, can have some influence on mental states.

Precisely what this film shows.…”The Wind. A Documentary Thriller” is an interpretation of our situation : when nature in this form takes action, we have no chance. We have to face the consequences of the catastrophies that we create ourselves, some say, others refer to destiny, God´s will…

Nevertheless the people living in the Tatra mountains fight to survive. They try to stabilise their houses, when the wind is coming, they cut up the trees that have fallen on the roads, blocking the traffic, including the ambulances that hurry to help people with serious problems, some of them suicidal.

My hero in the film is the woman, who writes poems that are celebrating the forest. Like Danish author Hans Christian Andersen, known all over the world for his fairy tales, wrote in one of his books, she does like him, embracing a tree in one of the best scenes of a film that in a fragmented, powerful style conveys an overall drama with several fine parallel stories, and a soundscore that with the wind justifies the characterisation, “a documentary thriller”.

Fear, life and death, father and daughter: His house burns down, he has breathing problems, he goes to the doctor, he continues the lost battle against the evil power. She, the poetess, wants to buy a piece of forest, it’s beautiful to watch her emotions, as it is to watch the young ambulance nurse taking care of the victims.

Michal Bielawski’s film reminds me, with its own competence in content and cinematic skills, about current films about man and nature – Kossakovsky’s “Aquarela”, “The Earth” by Nikolaus Geyerhalter. Hate the word but films like these seem to be trendy – and yes, documentaries are raising the crucial questions our planet is facing, they do so in different styles, with different voices, make us think when we are given a visual statement and a visual artistic comment to the time.

Poland, 2019, 74 mins.


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Sheffield Doc/Fest Opens With Maradona

Written 03-06-2019 12:56:22 by Tue Steen Mller

Sheffield Doc/Fest Opens With Maradona

... the new film by Asif Kapadia („Amy“ and „Senna”), one of the masters in archive based documentaries, „The movie melds personal recordings with omnipresent reportage to portray the turbulent years of a gifted footballer burning brightly in late 1980’s Napoli“, the festival website says. Gosh, I am looking forward to that film about legendary „Diego Maradona“, the title of the film that was shown in Cannes.

The festival in Sheffield runs from June 6 – 11 with films from 47 countries and with 57% of the competition titles directed or co-directed by female filmmakers.

Competition titles, the festival has several categories, where films are nominated. There is a Grand Jury Award, where the film on Maradona is listed, as well as the highlighted „For Sama“ by Edward Watts. There is an Art Award, where I find the film by Susana de Sousa Dias „Fordlandia Malaise“ – the website has a fine list of trailers, look at the one by Susana. There is the Tim Hetherington Award, where I find the excellent „Dark Suns“ from Mexico, by Julien Elie. There is the International Award, where „Earth“ by Geyerhalter is as well Belgian Kristof Bilsen’s „Mother“, executive produced by Kirsten Johnson... and a couple of more award sections.

„Ways of Seeing“, good selection as I see it from festival director Luke Moody and his team.

https://sheffdocfest.com/


Categories: Festival, Articles/Reviews ENGLISH

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