Mikael Opstrup: The Uncertainty

Subitled: «A book about Developing Character driven Documentary»

”I am painfully aware that this book is risky business. I am trying to rationalize the irrational, to break down the bumpy documentary film process into conscious decisions and structures, yes even into budgets and financing plans. I plead guilty and ask for forgiveness.”

Words from Mikael Opstrup in the beginning of his book. A yes to forgiving Mikael. I have known him for at least 20 years and been working with him as a tutor and moderator in numerous documentary events – in Buenos Aires, in Damascus, in Ramallah and every year in Riga at the Baltic Sea Docs. I have a lot of respect for his skills and now that respect also includes that he has taken time and energy to write a book. You are more than forgiven Mikael having done this fine work that hopefully will find many readers, who like you and I love documentaries. Total recommendation from my side.

No pictures, no references to films, with texts divided into chapters and to be honest it is a demanding read with points I don’t agree with and/or don’t understand, but it does not matter, as it is well written and inspiring. You get your brain in action! 

As you I am addicted to a genre that has many doors to enter, one of them being the Character driven Documentary, a sub-genre, an ”art beyond control” as you put it contrary to ”the documentaries where you use interviews, archive, voice over, animation etc. (which) are to a certain extent under your artistic control.” That sub-genre is the focus.

The book is full of definitions based on reflections. Mikael raises questions and tells the reader what he means with „character”, with “driven”, with “script” followed by a super-interesting chapter in the book called “the documentary potential”. Mikael asks himself and the reader if a text written for the director him- or herself, or the film team could be called so, “the documentary potential” and reflects on that. I buy that, much better than script. 

That is for me the main quality of the book, the reflections conveyed in the essayistic style that Mikael has chosen, i.e. based on the many personal experiences that he has had during the decades, he has been in the documentary world.

And conveyed with the humour that I know you have Mikael, hope the English language catches the many fine, sometimes non-pretentious subtle sentences that call for a smile in a serious context. I knew that side of you but not the more – in a good sense – sentimental, where you write about Life and the search for Happiness, your closeness to your family that now also includes you as a grandfather! Like in the best documentaries you include yourself in the existential matters that we deal with every day. Great!

Questions raised and discussed come back in chapters called “the story”, “directing », « subtext”, “filming”, “editing”, “looking for moments”… At the end of the book Mikael turns to a more informative style writing about pitching and trailers and what you can expect at a Forum like the one here at IDFA… to end with a chapter “What’s football got to do with it?” 

“I am fascinated by football and Character driven Documentary for the same reason: it oozes of real-life drama. We do our best to control it, but we cannot. For the same reasons that we cannot control our own lives.”

We have watched many football games together and right your are, the Uncertainty is always there.

Mikael, good luck with the book and thanks for the huge effort. A gift to the Forum delegates and the rest of us, film lovers.

Denmark, Published by Mikael Opstrup, 1st edition 1000 copies, 48 pages.

Mikael says:

BUY THE BOOK
Write me for a copy: mikaelopstrup@outlook dk

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Tue Steen Müller
Tue Steen Müller

Müller, Tue Steen
Documentary Consultant and Critic, DENMARK

Worked with documentary films for more than 20 years at the Danish Film Board, as press officer, festival representative and film consultant/commissioner. Co-founder of Balticum Film and TV Festival, Filmkontakt Nord, Documentary of the EU and EDN (European Documentary Network).
Awards: 2004 the Danish Roos Prize for his contribution to the Danish and European documentary culture. 2006 an award for promoting Portuguese documentaries. 2014 he received the EDN Award “for an outstanding contribution to the development of the European documentary culture”. 2016 The Cross of the Knight of the Order for Merits to Lithuania. 2019 a Big Stamp at the 15th edition of ZagrebDox. 2021 receipt of the highest state decoration, Order of the Three Stars, Fourth Class, for the significant contribution to the development and promotion of Latvian documentary cinema outside Latvia. In 2022 he received an honorary award at DocsBarcelona’s 25th edition having served as organizer and programmer since the start of the festival.
From 1996 until 2005 he was the first director of EDN (European Documentary Network). From 2006 a freelance consultant and teacher in workshops like Ex Oriente, DocsBarcelona, Archidoc, Documentary Campus, Storydoc, Baltic Sea Forum, Black Sea DocStories, Caucadoc, CinéDOC Tbilisi, Docudays Kiev, Dealing With the Past Sarajevo FF as well as programme consultant for the festivals Magnificent7 in Belgrade, DOCSBarcelona, Verzio Budapest, Message2Man in St. Petersburg and DOKLeipzig. Teaches at the Zelig Documentary School in Bolzano Italy.

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