Time Trial as Doc of the Month

Skrevet den 05-05-2019 20:18:49 af Tue Steen Müller

Time Trial as Doc of the Month

DocsBarcelona starts in 10 days. I have written about the upcoming festival, link below.

But DocsBarcelona has many other rooms. One of them is the Documentary of the Month that includes one film being shown at 75 venues in Spain and later on in countries in Latin America. In cinemas, in culture houses, in libraries… check the link below.

It is an amazing film cultural initiative.

In the month of May, it is the Scottish director Finlay Pretsell’s “Time Trial” that is offered to the audience. Here is what the site says about the film:

“The end of an athlete’s career is a race against time and a fight against an inevitable demise. The addictive need to participate defies logic and creates a mesmerising and painful spectacle. TIME TRIAL takes us into the final races of cyclist David Millar’s career, leading up to his last encounter with the Tour de France. We go inside the peloton, we’re pushed up impossible climbs and forced down rapid descents, we lie alongside him in his hotel room in post-race agony. We ride in the support car, the source of comfort, supplies and fleeting relief from the cold. And we know that every mile travelled is a mile closer to the end. TIME TRIAL gets us close to David Millar, revealing how the human spirit is driven by a force deeper than success and glory. Filmed using pioneering techniques, bespoke vehicles and on-bike cameras, and with a new score by US composer Dan Deacon...”

And my words from November 2017: ...I watched the film yesterday in a smaller cinema, Munt 13 (at IDFA), and I was suffering with the protagonist David Millar on screen. My suffering was in solidarity with poor Millar, who fights to get his last Tour de France but loses - suffering very much due to the music composed by American Dan Deacon, music which is constantly surprising and sometimes a torture to take into the ears.

It has changed my view on music in documentaries, which normally is just filling in holes in weak scenes. Here it goes with the race and the situations, the sequences, the scenes. A great example of music in documentaries - here used for a film, which is so well constructed, full of funny moments, it’s not “only” the tragic fall of a hero...”

Tilføjet i kategorierne: Festival, Articles/Reviews ENGLISH

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