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CPH:DOX 2017 /Kirsten Johnson

Skrevet den 20-03-2017 22:22:56 af Tue Steen Mller

CPH:DOX 2017 /Kirsten Johnson

90 minutes with Kirsten Johnson thursday morning 23rd of March at Cinemateket, that’s a good time investment. I can guarantee that knowing Kirsten’s knowledge and commitment, and having attended her classes and Q&A sessions several times. Of course it is good if you have seen her film ”Cameraperson” – but if not there is a screening at 16.40 that same day at Grand Teatret with the director present.

”Cameraperson” was on my list of the best documentaries of 2016, here is some text from my review:

It is a film that deserves all the attention it can get. BECAUSE it puts the cinematographer and his/her work in focus through Kirsten Johnson, who says – a text in the beginning of the film – ”for the past 25 years I’ve worked as a documentary cinematographer. I originally shot the following footage for other films, but here I ask you to see it as my memoir. These are images that have marked me and leave me wondering still”.

Memoir, yes, the film comes out as not only an offer to reflect on ethical and aesthetical choices of a cameraperson, it is also an autobiographical essay, as – luckily - Johnson connects what she is doing behind the camera with her own private life as mother of twins with a mother, who suffered from Alzheimer’s and a father/grandfather playing with her Viva and Felix, the names of the twins. In other words private footage is included in a film that is very rich in its thematically structured narrative…

… and has the most wonderful scene towards the end of the film, where Kirsten Johnson goes back to the family in Bosnia that she had filmed before – to show them the footage that constitutes her pleasant memories from her first visit, where she was the cameraperson for a film on the war. A scene full of dignity from both sides.

Tilfjet i kategorierne: Festival, Film History, Articles/Reviews ENGLISH

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