DOK Leipzig 2011 – Other Films

Skrevet den 22-10-2011 11:35:51 af Tue Steen Müller

 DOK Leipzig 2011 – Other Films

Above I write about films that impressed me mostly, but there were others that deserve mention for the good or for the bad. So here comes some name dropping. Finnish Anu Kuivalainen’s ”Aranda” about people and research on board the reserach ship with that name is beautifully mastered in camera and music, and lives up to the kliché about Finnish people not saying a lot, but when they talk... German ”Bad Weather” by Giovanni Giommi is strong in subject and visuals but the story about the brothel island in Bangla Desh goes in too many direction and loses intensity.... the anonymous ”Fragments of a Revolution, produced by Gilles Padvani from France, is interesting in its compilation of images and archive from the Iranian riots around the election in 2009... ”Italy: Love it or Leave it” by Gustav Hofer and Luca Ragazzi, is an attempt to make a docu-comedy, they fail totally... ”Life in Stills” by Tamar Tal from Israel, on the contrary, is a very funny and warm film with a 96 year old grandmother and her grandson, who keep a photo shop alive in Tel Aviv. The scoop photos are from the declaration of independence of the state of Israel... Extremely beautiful is the French film ”La vie à loin” (photo) by Marc Weymuller, from the North of Portugal, from an area where time has stopped and memories are present... ”War Matador” from the borderline of Israel and Gaza is a superb observation (by Israeli directors Avner Faingulent and Macabit Abramson) of people who live near the border and people who come to enjoy the bombardments of Gaza. Unfortunately the directors have decided to include a metaphor (the raving bull in an arena and the matador that smells blood and wants to kill), that is for me far too much an unnecessary construction... and finally a film that I stopped after 20 minutes, ”Water Children” by Dutch/Russain Aliona van der Horst. It should be about being a woman, many women at the festival praised it, I did not, for me it was ”unmusikalisch” (the voice of the director” and ”arty” in its approach. You should have stayed, it becomes much better, said the festival director to me. Maybe!

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