Filmkommentaren

DocsBarcelona Botero

Written 24-05-2019 10:32:07 by Tue Steen Mller

DocsBarcelona Botero

Fernando Botero... all art interested people know him from his paintings and sculptures. I have been reminded of him again and again when arriving to the airport in Barcelona, where his horse sculpture is a meeting point. Don Millar, the director of the film "Botero" was at DocsBarcelona last night with the daughter Lina and the son Fernando to show the film and talk to the audience at the European premiere at the Aribau cinema. A very generous film biography full of information about the life of an artist, his artistical development, his going against the mainstream, his artistic comments to what is going on in this world, his personal tragedy, when his fourth child Pedro was killed in a car accident, his getting through that trauma by making art, him being the patriarch of a family that gathers once a year in Pietrasanta in Italy, the opposition he has met from art critics (for me that takes too much time in the film), his generosity to donate his art collection, and a lot of his own works to his native Colombia, where you can find it in museums in Bogota and Medellin.

The film equals the volumen of Botero's work with a strong music side and the archive - still photos, interviews - is very interesting with the three children, the two mentioned plus Juan Carlos, talk so passionate about their father taking care of his enormous work. And he talks with a fine portion of humour.

Photo: Botero on Abu Ghraib.

www.docsbarcelona.com


Categories: Festival, Articles/Reviews ENGLISH

EDN Bylaws Violated . Action Needed/ 3

Written 23-05-2019 23:30:20 by Tue Steen Mller

Cecilia Lidin, member of EDN and former director of the association from 2009-2011, now film consultant at the Danish Film Institute writes today on FB :

Calling all EDN Members! Tomorrow the EDN office will be moved from Copenhagen to Amsterdam. It might seem insignificant where a pan-european association resides, but the facts remain the same: EDN is in practical and legal terms a Danish association - can the self-installed management please explain how this move is possible?? And equally important: according to the by-laws, the association can only be moved after it has been brought to a vote by the members. We are dealing with a management that are working in total disregard to rules and regulations - with the sole argument, that if they had not acted, EDN would not have survived. If EDN cannot survive following the by-laws on which it was founded - then it should die.

And a reaction from Orwa Nyrabia, IDFA’s artistic director:

It seems that the new management and board of EDN ignored all public critique and are still moving forward with steps that violate by-laws and the core of it being a members association. Violating by-laws, taking decisions that require members voting, not calling for an exceptional GA, is unacceptable.

Former posts on this subject :

http://www.filmkommentaren.dk/blog/blogpost/4537/

http://www.filmkommentaren.dk/blog/blogpost/4530/


Categories: Festival, Articles/Reviews ENGLISH

DocsBarcelona Public Pitch

Written 23-05-2019 14:25:03 by Tue Steen Mller

DocsBarcelona Public Pitch

Let me remind you that when DocsBarcelona started 22 years ago all pitching sessions were public. When the EDN launched the workshops in The South of Europe, with the support of the EU Media Programme, the first one took place in Granada. Joan Gonzalez, director of DocsBarcelona, was there, he pitched (not really a success!) and took the event to Barcelona. 10 years later a festival was started after years of screenings and meetings with filmmakers, that is what today is called masterclasses.

After years of speed meetings between filmmakers and decision makers the public pitch is back - in a combination with speed meetings. This morning - professionally moderated by Catherine Olsen and in a fine set up with 25 panelists sitting at tables and an (not that big) audience attending, creating atmosphere by supporting those who present their fllm projects on stage. There were 9 of them - 6 more will perform tomorrow - and should I highlight, from my biased seat in the audience, a couple, it would be "They Call me Torero" directed by Inma de Reyes and produced by Aimara Reques, the first one a student from Edinburgh with Emma Davie as teacher, the second "the mother" of Viktor Kossakovsky's marvellous "Aquarela", that opened the DocsBarcelona more than a week ago. AND the Brazilian "Samuel and the Light" by Vinicius Girnys, the director's first film about kids at a place, where electricity arrives. Poetic touch in the trailer. The Public Pitch started with a safe card, Peter Torbiörnsson's "Ninosca" from Nicaragua produced by another veteran, Stina Gardell. Swedish Torbiörnsson has charisma, he does not pitch the usual way, he adresses the audience in a personal way. That film about the troubled life a woman growing up in a macho culture will definitely be good.

The panel... some with good comments, some just said "thank you for the pitch, we can talk later...". That was the same 22 years ago!

www.docsbarcelona.com


Categories: Festival, Articles/Reviews ENGLISH

DocsBarcelona - Jordi Cuixart

Written 22-05-2019 09:58:51 by Tue Steen Mller

DocsBarcelona - Jordi Cuixart

DocsBarcelona is making a political statement. The festival showed "Avec un Sourire, la Revolution" by Canadian Alexandre Chartrand, on the 19th to an audience of around 700 people, who gave the film and its message a standing ovation. AND the festival chose to use a photo of one of the emprisoned politicians, actually the one who is not a politician. I take a text from wikipedia on: 

Jordi Cuixart i Navarro (Santa Perpètua de Mogoda, province of Barcelona, Catalonia, Spain, 1975) is a Catalan businessman and political and cultural activist. He is the president of Òmnium Cultural,[1] a non-profit cultural organisation founded in 1961 with more than 160,000 members and 40 local branches in Catalonia.[2] As part of his role in the pro-independence demonstrations prior to the Catalan independence referendum of 2017, he has been imprisoned since October 2017 under charges of sedition and violent rebellion brought by the Spanish prosecutor's office. Amnesty International believes his detention constitutes a disproportionate restriction on his rights to free speech and peaceful assembly, and urges Spain to free him.

http://www.docsbarcelona.com/en/doc/avec-un-sourire-la-revolution/


Categories: Festival, Articles/Reviews ENGLISH

Audrius Stonys at DocsBarcelona

Written 21-05-2019 14:42:06 by Tue Steen Mller

Audrius Stonys at DocsBarcelona

I have made a copy paste of the fine text from the DocsBarcelona website, presenting the presence of Lithuanian documentary master director Audrius Stonys:

7 SHOTS 7 is the annual proposal of DocsBarcelona to a personality in the audiovisual world. This year, due to the premiere in Barcelona of Audrius Stonys’ latest and acclaimed documentary Bridges of Time (thursday at 18.15, Aribau 4), winner of the Best Documentary Award at Latvian National Film Award in Latvia and Special Mention of the Jury of Batumi International Art -house FF in Georgia, the Lithuanian filmmaker will reflect on the language of cinema with 7 shots or sequences specially chosen for the occasion.

Audrius Stonys is visiting DocsBarcelona again after presenting here in 2017, his film Woman and the Glacier, ​​a poetic story about a solitary woman and an everlasting glacier, and receiving the ex-aequo What the Doc Award. The festival audience will be able to enjoy the screening of his latest work, Bridges of Time and the presence of the director, who will take part in post-screening discussions.

We have invited him to talk about his films in a master class format through a very personal selection of fragments and sequences. A unique opportunity to get to know the cinematography of one of the most internationally-renowned documentary makers. Through this selection of seven shots, we will discover what inspires him to make films, what stories and characters have captivated him throughout his life, what motivates him to create new documentaries and how he manages to take his ideas to the big screen. The master class (CCCB at 19) will be moderated by DocsBarcelona’s head of programming, ​​Tue Steen Müller.

Audrius Stonys, Lithuanian film director and producer with a long career, has won numerous international awards. He studied Film Direction at the Jonas Mekas Anthology Film Archive in New York. His documentary Earth of the Blind was recognized by the European Film Academy as the best documentary of the year and also won the Félix Award. His documentary Ramin, created in collaboration with VFS Films, received the Lithuanian nomination for the Oscars in 2012. He has given conferences and lectures around the world.

www.docsbarcelona.com


Categories: Festival, Articles/Reviews ENGLISH

DocsBarcelona & Len Siminiani

Written 21-05-2019 08:19:50 by Tue Steen Mller

DocsBarcelona & Len Siminiani

At the DocsBarcelona today, at a special session the first episode of a new Netflix original documentary series will be screened. Normally I would say, all right and so what, but as the director is León Siminiani I am interested. Siminiani was at the festival in 2013, where he pitched ”Mapa”, a film that I have praised, link below – and a film with a trailer that I have used again and again at workshops because of its crazy and personal anti-trailer presentation of a film, that held its promise and became a film by a true auteur. Curious to see how he has brought his talent into a Netflix documentary that has the following content:

El caso Alcàsser is a documentary series composed of 5 episodes that analyse and investigate one of the most controversial cases in the Spanish history. The triple assassination of three teenagers in 1992 shook the foundations of the Spanish society, trespassing limits not only due to its harshness but also because of its impacting mediatic retransmission. 25 years after, the resolution of the case and its consequences still cause controversy.

At the CCCBh at 19.00 with the presence of the director. Language: Spanish.

http://www.filmkommentaren.dk/blog/blogpost/2250/

www.docsbarcelona.com


Categories: Festival, Articles/Reviews ENGLISH

DocsBarcelona Many Full Houses & Tiny Souls

Written 20-05-2019 08:56:20 by Tue Steen Mller

DocsBarcelona Many Full Houses & Tiny Souls

Joan Gonzalez, director of the festival this morning, in Catalan: Bon dia! Ahir amb mes de 2100 espectadors va ser el dia amb mes afluència de públic de totes les edicions del @DocsBarcelona No podem començar millor la segona setmana del festival. Moltes gràcies!

Did you get it: Sunday, the best day in terms of audience in the history of DocsBarcelona... a happy man, who loves statistics, and of course it is good news, when the audience responds positively to the programming we did, we meaning Pol Roig Turró, Martina Rogers, Dani Jariod, Diego Mas Trelles, Joan Gonzalez with me at the head of the table.

I was in the Aribau cinema, where there were full houses for "Aquarela" and "The Ancient Woods"... and of course for "Avec un sourire, la revolution" by Canadian Alexandre Chartrand, synopsis "What happened on October 1st? An unprecedented look at the self-determination process from the director’s subjective point of view brings us to the forefront of the fight. Grass-roots activists, street protesters, Catalan leaders and spontaneous mobilizations are the testimonies of a cinematographic portrait depicting civil disobedience in Catalonia, where repression is fought with a smile.

My personal experience, however, was to be at the screening to introduce and moderate the extended Q&A of "Tiny Souls" by Palestinian/Jordanian Dina Naser. 50-60 spectators watched a film with a warm heart and a dedicated director, who followed three siblings - Marwa, Aya and Mahmoud - and their life in the Zaatari refugee camp in Jordan. For four years the director was in contact with the family and what we spectators got was a beautiful film with several layers: this is how it looks in a refugee camp, this is what kids from Syria talk about, when their country is at war, this is childhood, this is how children act everywhere BUT the background is sooo different from that of my grandchildren back in Copenhagen. Marwa is the central character growing up from being the little child to being the girl, who has boyfriend(s) with whom she secretly talks on the cell phone. Dina Naser gave the kids a camera, they filmed, it increased the authenticity of the film. Marwa and her family are now back in Syria, the director has lost contact with her. With a fine voice-over Dina Naser refers to what her father told her about 1948 and his staying in refugee camps in Palestine. Great film that had its premiere at CPH:Dox but was rejected by IDFA, whose Bertha Fund supported the film!

A sad film of course but full of life, wishing the best for Marwa and her family!

http://www.docsbarcelona.com


Categories: Festival, Articles/Reviews ENGLISH

Artemio Benki: Solo

Written 19-05-2019 14:51:21 by Tue Steen Mller

Artemio Benki: Solo

Towards the end of the film, Martìn Perino is in a school class with his friend, the dancer Solé. He talks to the students: ”Solé and I would like you to write down, what you feel or think, when you listen to the music, I am going to play. Please put your words down on a piece of paper”.

They do so. Now it is my turn to put down, what I feel and think after having watched ”Solo” – for the second time. I feel that I have been given the gift of getting very close to a man with an extraordinary musical talent. For playing and composing. A very generous move from a fragile man, who spent 3 years at el Borda, the psychiatric hospital in Buenos Aires, gets out from there but is still under treatment. He lets me suffer with him, be happy and enjoy, when he is at the piano. And a very – towards him – respectful and compassionate



Read more / Ls mere

Vurdering:

 
Categories: Festival, Articles/Reviews ENGLISH

DocsBarcelona is Green..

Written 19-05-2019 10:02:21 by Tue Steen Mller

DocsBarcelona is Green..

The wonderful photo above from the opening of DocsBarcelona some days ago does not represent the whole truth. Green should have been more dominant. At least according to my experience yesterday, where I was in the cinema for 6 hours attending three screenings, where two of them were with "a green message": Mindaugas Survila's magnificent visual poem, "The Ancient Woods" and the equally magnificent "Honeyland by Tamara Kotevska and Ljubo Stefanov. If you add - ok same superlative - "Aquarela" by Viktor Kossakovsky and Greek Marianna Economou's "When Tomatoes Met Wagner" you have a collection of advocates for "we have to do something for our planet before it's too late...". From different angles.

This sounds very political correct but first and foremost the selection of films for DocsBarcelona has been done from cinematic criteria. And they were appreciated by the audience, I can confirm from being in the cinema hall. Colleague of Mindaugas Survila, the director of "The Ancient Woods", Gintė ulytė from Lithuania, made a fine introduction to the film and answered questions about the patience it takes to film animals - waiting for the moose to appear - how the sound design was constructed for a film without words, how she (Ginté) had helped with the script writing as the film has a dramaturgy like any other film. The film sold around 55.000 cinema tickets in Lithuania and a good part of that income is saved for buying ancient woods to keep it for the animals and to keep us humans away... That message made the audience applaud.

As it did after the screening of "Honeyland", where cameraman Samir Ljuma and director Tamara Kotevska charmed the audience talking about wonderful Hatidze and her life in the mountains of Macedonia. "Honeyland" has been praised on this site so no more words about its qualities, but click the link below and support what the filmmakers and Hatidze are doing... Honey with the right taste, original, as many of the spectators experience last night at the Aribau cinema at DocsBarcelona...

... where I also attended the premiere of Èric Motjer's "Beirut - la vie en Rose", a visit to the tormented capital of Lebanon, where the - as John Lennon would have said it - filthy rich rattle their jewels. The director has found some interesting characters, who take him to glorious parties in music video style sequences contrasted to a sympathetic Englishman, who talks about the past accompanied by his mother: those were the days. The son has not given up, he has plans for the future, and Mauricio, a super rich man sets up a shopping mall: The war in Syria is good for business in Lebanon. Oh yes!

The three screenings gave (almost) full house so I walked home to the hotel with a smile on my face. DocsBarcelona in full swing, indeed!

https://honeyland.earth

http://www.docsbarcelona.com/en/


Categories: Festival, Articles/Reviews ENGLISH

DocsBarcelona in Full Swing

Written 18-05-2019 10:19:53 by Tue Steen Mller

DocsBarcelona in Full Swing

Indeed, that was a lovely Friday at the cinema – in Barcelona on the second day of full program. As one of the programmers of the DocsBarcelona festival, it is a pleasure to sit with the audience to see how it reacts to what we have selected. There were 8 screenings yesterday, I was at two and a half… no I did not walk out from one but screening schedules overlap.

Sooo… lovely it was to watch and enjoy Marlén Viñayo’s „Cachada” with a numerous enthusiastic audience, that was totally seduced by the women, who take part in a theatre workshop, where they live out their traumas from childhood, the domestic violence and abuse they have experienced. Girls, they call themselves, the wonderful passionate big women with humour and the wish to share their feelings, to open their wounds to each other and the audience to whom they convey their stories in a theatrical version. Yes, films are appealing to your emotions and the old documentary addict, who is writing this text, was in tears at the end of the film, as were many in the CCCB theatre.

Marlén Viñayo, whose first film it is, was at the DocsBarcelona rough cut session two years ago, and from a film point of view it was great to see how the young director has managed to find her way of storytelling, her dramaturgy. The film has its European premiere at DocsBarcelona. It will travel!

Premiere – the same goes for ”Operation Globus” by another young female director Ariadna Seuba Serra, produced by Guillermo F. Flórez with the local broadcaster TV3 as partner. I popped in to watch the beginning of a film, that was also at the DocsBarcelona rough cut session – and afterwards I had the pleasure to look at several versions of a film about men from my generation, who wanted to explore the world, 40 years ago. Great archive material, a looking back on an adventure and a friendship from the young years. They were all there, the protagonists, it is always interesting to see those, who took their time to be in a film… will catch up on their reactions as I had to hurry for

… ”Privacy of Wounds”, which is a Norwegian production with Palestinian/Jordanian Dalia al-Kury as the director being present. ”I am happy if there are a bit more than 20 spectators”, she said to me – there was three times 20, if I am not mistaken, who in total silence and concentration was watching and listening to three Syrian men, who in a cell in Oslo, made for the film, with the director as the prison guard (!), with 3 days of shooting, convey how it was to be in a detention centre in Syria. The film is excellent, with an amazingly intelligent approach that works, an aesthetic choice she had made to give us horrible stories that touches the heart and makes you think… how long is this going to continue. Oufff!

www.docsbarcelona.com


Categories: Festival, Articles/Reviews ENGLISH

web: infoserv   cms: aviva cms